For those looking for an ideal keyboard bench to go with their digital piano, you are at the right place!
There are a few factors you should look at when purchasing a best keyboard bench:
Portability: The best portable keyboard benches are made to be lightweight and portable. The best adjustable keyboard benches can also fold for easy storage and carrying. If you are looking for a music bench that is meant to be stable and sitting in the same place, you may be looking for a piano bench.
Height Adjustments: Most keyboard benches do not have quick height adjustment knobs. The ones that do, such as the Hercules KB200B, are a bit pricier, but are worth it if you want to quickly adjusting sitting positions in a tight situation.
Please do not confuse keyboard benches with piano benches (as even google confuses the two).
For professional musicians, I highly recommend this best digital keyboard bench.
A key feature of the Hercules KB200B bench is the quick and easy height adjustment knob. You can easily switch between four different height positions with this best adjustable keyboard bench. With the other keyboard benches, you have to painstakingly flip the keyboard bench upside down, unscrew the securing latches, and switch the positioning of the keyboard legs in order to change the height.
In addition, with a micro adjustment knob, you can adjust the keyboard bench in subtle amounts. This is best for keyboard players looking for a very specific height position.
This keyboard bench weighs about 14 pounds.
Some users of this bench feel that the padding is a bit hard.
Electronic keyboards are great because of their low pricing, versatility, light weight, and portability.
The best digital keyboard are generally inexpensive in comparison to other type of digital pianos (keyboard workstations, digital upright pianos, etc.). The keys are either weighted or unweighted (weighted keys imitate the feel of a real piano, unweighted keys feels like pressing down on plastic). They are great for beginners who wish to start learning the piano, or for gigging in bands.
Careful consideration was taken to the listing of these best musical instrument keyboards with factors including pricing, weighted or unweighted keys, popularity, internal speaker quality, sound quality, sound effects, and customer satisfaction.
These bad boys contain a large amount of built in sound functions, and are used generally in music production. Keyboard synthesizers usually have to be plugged into an external speaker, as they do not contain internal speakers. They also connect with computers for music production.
Keyboard Arrangers are perfect for the one-man band. It can play tracks along with you as you are performing live.
Usually these get confused with keyboard workstations.
Keyboard Workstation allows for music production in one device. You can think of it as a keyboard synthesizer that does not need to be connected into another device to create and produce music.
Workstations also come in 61, 77, and 88 keys. The priciest of these are 88 keys, weighted, and costs over 1000 dollars.
Digital Upright Piano
The design of these digital pianos is made to emulate an acoustic upright piano. Digital Upright pianos usually cost between 500-1500 dollars.
Digital Grand Piano
The construction of this digital piano is made to imitate the look of an acoustic grand piano. This musical instrument generally costs around 2000 or more dollars.
You can think of stage pianos as extra expensive electric keyboards designed for professional performances. They imitate the feel of a real piano with weighted keys, usually have graded hammer keys, and are heavy (weighing 50 pounds or more).
8 Best 61-Key Digital Keyboards
In terms of simplicity and realistic feel, I personally recommend the Yamaha NP12 as the best 61 key digital keyboard.
With its compact design, this keyboard can easily be played on a desk or counter.
Weighing 15 pounds, this best portable keyboard can easily be picked up and moved around.
This digital music instrument also has very good sound quality that imitates the sound of an acoustic piano.
The GST (Graded Soft Touch) keys are slightly weighted, touch sensitive and respond well to different dynamics and articulations.
The Yamaha NP 12 comes in either black or white.
Internal battery support with 6 AA batteries. Can last for 7 hours with batteries.
MIDI support through USB.
You can see a demo of this best musical keyboard here:
Basically, the FP 30’s sound quality is a bit better than the FP 10 and there more tones to choose from. The FP 10 is more compact and is lighter. From my personal playing, the FP 10 and FP30 feel the same, but the FP30 sounds a bit better.
I would personally recommend the FP 10 over the FP 30, ultimately because of the pricing. You have a 200 dollar difference from the FP 30, and the only thing you lose is a bit of sound quality and fewer tone options.
This keyboard has PHA-4 Standard Keyboard action, which highly realistic, and provides the best feel for playing. It has Escapement and ivory sensation on the keys.
With the SuperNATURAL Piano Sound, this best digital keyboard provides the most beautiful and realistic piano sound, as expected from the well known Roland brand.
This best electric keyboard has 128 polyphony, Twin piano feature (good for teaching purposes – you can adjust the octaves on either end of the keyboard to match each other so that a student and teacher can play on the same range on the keyboard)
The Roland FP-30 also has bluetooth, something that the Yamaha P125 does not have.
The FP-30 has Bluetooth MIDI, but does not have bluetooth audio.
In short, this is what the Yamaha P125 has over the Yamaha P115:
– More number of voices. The P125 has 24 voices, while the P115 has 14. (Voices refer to different sound settings such as organ, electric, etc).
– More rhythm settings. The Yamaha P125 has 20 settings, while the P115 has 14.
– The Yamaha P125 has more advanced speakers than the Yamaha P115 with the Table EQ.
What is the same is:
– Same weight (11.8 kg)
– Same number of polyphony (192)
The P stands for portable.
Can be plugged in and be used with the “Smart Pianist” app to control the advanced features of the Yamaha P125, analyzing any song to display the chords of that song, and even help with practicing
Yamaha P125 vs P45
P125 uses Pure CF sampling (more modern and realistic sounding)
P45 uses AWM advanced
Polyphony (number of notes that can be sustained at once)
P125 has 192 polyphony
P45 has 64 polyphony
P125 2 7W amplifiers, 2 12 cm speakers, and additional 4 speakers
P45 has 2 6W amplifiers, 2 12 cm speakers
P45 does not have
In short, the P125 has better sound, and recording functionality.
Here is a demo of the Smart Pianist app:
With the Table Top EQ setting, it can detect if the Yamaha P125 on a table top. If it is on a table top, the internal speakers automatically brings out more bass, which allows for a better sound while being on a table.
The Yamaha P125 does not have bluetooth for MIDI capability. You will need to use a USB for MIDI.
With 192 note polyphony, you will never have to worry about a note not being fully sustained (Note Polyphony refers to how many notes can be sustained or played at once. Since there are only 88 keys on the piano, you really don’t need to go over 88 polyphony. 192 note polyphony is kind of an overkill.)
The Graded Hammer Standard weighted keys gives this electric keyboard the same touch response as an acoustic grand piano. The lower end has heavier keys, and the higher end has lighter keys.
This keyboard reproduces the sound from Yamaha’s 9 foot CFIIIS concert grand piano with its Pure CF Sound Engine.
There are 14 different groups of sound effects including piano, electric piano, and rock organ!
Can use the “Digital Piano Controller” app, a Yamaha app that allows you control the many features of the Yamaha P115 with a friendly user interface.
The Yamaha P115 does not have bluetooth, but has Midi capability through USB.
Watch this professional review by Yamaha on the Yamaha P115:
The Casio PX 160 is a superb digital keyboard with its Tri-Sensor Scaled Hammer Action (fancy way of saying weighted keys) and 128 polyphony. The texture of the keys also emulate that of a real acoustic piano.
The sound engine of this product, “AiR”, which stands for Acoustic and intelligent Resonator, captured the sounds of a real 9 foot acoustic grand piano and is able to replicate it.
The 8w x 8w Grand Sound System has speakers in both the front and the back of the instrument, which is ideal for both private and public performance.
Weights about 25 pounds.
Many people who are searching for the best digital keyboard often compare the Casio PX 160 to the Yamaha P115. I personally recommend the Yamaha P115 over this, and you can watch these videos to help you to understand too:
This is a larger model of the Yamaha ypg- 235 electric keyboard.
I personally believe that the pricing for the Yamaha YPG 535 is too high. The keys are only semi weighted and does not feel quite like a real piano. I personally believe that other digital keyboards in this page have a better feel and sound in comparison to this instrument.
If you are using this keyboard for recording purposes, then it is a very good buy!
You can see and hear what this instrument is like with this video:
This page will feature the best music stands to hold your sheet music for orchestra rehearsal, jazz band rehearsals, or whatever purpose you need to hold your sheet music. These best music stands have been carefully selected with regards to sturdiness, reliability, weight, quality, and portability. Please take a careful look at each music stand and choose the one that best fits your needs.
The best music stand for guitar, best music stand for violin, and best music stand for instruments are all here!
Note: If you are looking for a music stand to carry heavy objects, such as a laptop or large music book, consider buying a strong music stand, such as the Manhasset music stand, GearLux, or the ASC Professional music stand. For light carrying, the lighter music stands such as the Chromacast music stand will be suitable.
Manhasset Model #48 Sheet Music Stand
Manhasset music stands are standards in many musical settings such as schools and orchestras.
The bases of these stands are made completely from steel, so you can be ensured that these stands will be durable and will not rock around.
With the “Magic Finger Clutch,” the stand can be adjusted with one hand. The clutch can support up to 8 pounds.
The bearings is made from brass, which is greaseless and reduces friction from adjusting the music stand.
The desk (holds the sheet music), is made from sturdy and light weight aluminum. The black coat finish aids the stand from scratches and damage.
Manhasset Model 48
The most popular and high demand music stand by Manhasset. The dimensions of this best heavy duty music stand is 20″ wide, 12 1/2″ high, and a lip of 2 1/4″. This music stand can be adjusted from 26 through 48 inches.
Weighs a little less than 8 pounds!
You can see a video of assembly of this music stand here:
Autograph fair copy (clean copy of draft that was corrected by Chopin)
French first Edition published in July 1836 by Paris: M. Schlesinger (According to notes in this edition, Chopin was known to have carefully proofread the French first edition and made some changes to it.) Click here to see the second French edition.
Autograph/fair copy (basis for French first edition)
First French Edition. Published by M. Schlesinger publishing company in 1836 (This company also printed the first editions of Beethoven’s last two piano sonatas)
Second French edited with corrections by Chopin. (In the critical notes for the Wiener Urtext, it is said that Chopin carefully made corrections for this edition. In the National Edition Source Commentary, it says that he was careless with his corrections.)
French Edition owned by Camille Dubois, a student of Chopin. Her scores contained annotations by Chopin, fingerings, performance notes, and corrections from errors made by printing.
First German Edition published by Breitkopf and Hartel in 1836.
Second, Third, and Fourth German Editions.
First English Edition (the source commentary says that the First English Edition was based on the first French edition)
There is a subtle editorial marking added in the national edition. There is a decrescendo marking written on the and of 4 in the National Edition.
Editorial marking – There is a quarter rest written in the left hand part, m 44 beat 6, for the Wiener Urtext.
There is a difference in the direction of the stems for the right hand. In the national edition, the B flat (M 85 beat 1) is up stemmed, while it is down stemmed in the wiener urtext. Having all the stems going upward shows the musical line in this phrase and to bring out these up stemmed notes.
M. 87 – 88
Notice the staccato on M 88 beat one in the National Edition. This staccato is not present in the wiener urtext. Also, the phrasing in the National Edition shows M 87 beats 5 and 6 connecting to the first beat of M 88. In the Wiener Urtext, the phrase in M 87 beats 5 and 6 ends on the sixth beat, and a new phrase begins with M 88.
M 161 – 162
Beats 1 in Measures 161 and Measures 162 have differences. In the national edition, the notes on beat 1 have a staccatissimo placed for the articulation. In the wiener urtext, the articulation is a staccato.
This measure is a booger! In the French first edition, there was an error with the placement of the Ab (in the fourth note of the quintuple).
The second French edition features this change to M 171 (made by Chopin’s request):
Notice the D added to the fourth note of the quintuplet.
The Wiener urtext claims to reproduce what is written in the autograph score for this measure. The national edition chooses to make M 171 similar to measure M 170, and then writes what is written in the autograph score above M 171.
The national edition says it is doubtful whether or not Chopin wanted the added D in the fourth note of the quintuplet. It also states other instances in which the first French edition made similar errors.
There are tenuto markings on the and of 4 in Measures 194, 196, and 198. These markings were made by Chopin in Camille DuBois’ score.
When you are out performing with your digital piano or electric keyboard, you will need a trustworthy amplifier to accompany you!
These 10 best keyboard amplifiers were carefully chosen, with considerations such as pricing, durability, and power taken in.
Take a good read through each keyboard amplifier, and choose the one that fits your needs the best!
Roland Mobile Cube Battery-Powered Stereo Amplifier
Because this keyboard amplifier is battery powered with 6 AA batteries and is compact (14 inches by 6 inches by inches), this is the best portable keyboard amplifier you can find! It also weighs only 7 pounds, so you can carry it easily with just one hand. This is very convenient for light travel when gigging and performing.
This keyboard amplifier also contains standard effects such as delay, chorus, overdrive, and reverb.
This amplifier also works well with other musical instruments such as electric guitar, and be also be used with your MP3 player or Iphone.
The Peavey KB 1 is another best low price keyboard amp. It is slighter larger and heavier than the above Roland Mobile Keyboard Amp, weighing 16 pounds and 19.5 inches by 18 inches by 13 inches.
Being 20 watts, this best keyboard amplifiers is ideal for smaller spaces. Peavey also offers 50 watt, 60 watts, 75 watts, and 100 watts keyboard amplifier if you wish to purchase a more powerful amplifier.
There are 2 band equalizers for each channel. There are 2 input channels and a headphone jack.
You will also have a great deal purchasing this product on Amazon.com, as it only costs 140 dollars there, in comparison to the 230 dollars you would spend buying this keyboard amplifier directly from the Peavey website.
Consider buying this if you are looking for a sturdy and best inexpensive keyboard amplifier.
You can also see a review this best keyboard amplifier here:
The Roland KC-60 is the most affordable keyboard amplifier for Roland’s well known KC amplifiers.
The product dimensions are 16.3 inches by 15.9 inches by 11.4 inches. This keyboard amplifier also weighs 30 pounds.
With 40 W of power, a high EQ Subwoofer output, 3 channels, and an XLR microphone in, you are making a great purchase with this product. The subwoofer output gives the low end more sound. Also, you can have a 30 day return policy with this product if purchased on Amazon!
This keyboard amplifier is also compatible with CD players/MP3 players and microphones!
Watch this video to see a review of the Roland KC-60:
The Roland KC-350 is truly a powerful keyboard amplifier with 120 watts, 3 band equalizer, Shape switcher and output selector, and a Subwoofer output. This is good for a performance in a well sized setting.
Contains 4 channel inputs and Roland’s Stereo Link feature which allows the KC keyboard amplifiers to be connected for a more rounded sound.
This product weighs 60 pounds and is 22 inches by 22 inches by 22 inches.
Watch this video to see an expert review on the Roland KC-350:
This is the most powerful KC Keyboard amplifier of Roland. The Roland KC880 is 330 Watt, contains 5 channel inputs, two 12 inch woofers, and two horn tweeters.
This best keyboard amplifier can support sound for the entire band! You can plug in your electric guitar, bass, microphone, or any other musical instrument into this all at once and produce a powerful sound!
The Roland KC880 is capable of stereo linking, which allows it to connect to other Roland KC amplifiers to produce more sound.
This product weighs 97 pounds and is 29.9 inches by 23 inches by 18.5 inches.
Check out this product review from American Musical Supply: